Please read Basma Abdel Aziz's novel The Queue with care and take notes on characters, plot, themes, ideas, etc.Throughout September and early October, we will analyze this contemporary dystopian work in translation and ultimately write an IB HL Paper 2 Essay on this gem. Enjoy!
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The Queue (Basma Abdel Aziz, trans. Elisabeth Jaquette)
“The Queue… has drawn comparisons to Western classics like George Orwell’s 1984 and The Trial by Franz Kafka. It represents a new wave of dystopian and surrealist fiction from Middle Eastern writers who are grappling with the chaotic aftermath and stinging disappointments of the Arab Spring.” —The New York Times
In an unnamed Middle Eastern city, a centralized authority known as the Gate has risen to power in the aftermath of the “Disgraceful Events,” a failed popular uprising. Citizens are required to obtain permission from the Gate for even the most basic of their daily affairs, yet the building never opens, and the queue in front of it grows longer and longer.
Citizens from all walks of life wait in the sun: a revolutionary journalist, a sheikh, the cousin of a security officer killed in the clashes with protestors, and a man with injuries The Gate would prefer to keep quiet.
A very real vision of life after the Arab Spring written with dark, subtle intelligence, The Queue describes the sinister nature of authoritarianism, and illuminates the way that absolute authority manipulates information, mobilizes others in service to it, and fails to uphold the rights of even those faithful to it.
BASMA ABDEL AZIZ is an Egyptian writer, psychiatrist, and visual artist. Early on, she earned the nickname ‘the rebel’ for her indefatigable struggle against injustice, torture, and corruption. A weekly columnist for Egypt’s al-Shorouk newspaper, she represents a fresh and necessary female voice in Arabic journalism and fiction. She is the winner of the Sawiris Cultural Award, the General Organisation for Cultural Palaces award, and the Ahmed Bahaa-Eddin Award. She lives in Cairo.
(Source: Melville House, 2016)